Wednesday, 5 October 2011

Why Writing Is Not Dependent Upon Your Emotional State



This is a response to http://thoughtcatalog.com/2011/why-its-easier-to-write-when-youre-sad/ and http://thoughtcatalog.com/2011/why-its-harder-to-write-when-youre-happy/ from @ThoughtCatalog.




Why Writing Is Not Dependant Upon Your Emotional State.


Writing is a craft.  It is a learned skill.  The ability to know words, to understand language and to construct sentences is something which most of us are already familiar with – whether you see yourself as a writer or not – to varying degrees of astuteness and heritage.  But at the end of the day, saying that writing is easier when you’re sad is akin to saying that writing is hard when you don’t want to do it.
The real issue here is not whether or not writing is easier when you’re sad, but how your perception of writing manifests in the first place. 

The familiar image of the ‘Depressed Writer’ is a stereotype that continues to persist among the collective unconscious.  I have said in the past that stereotypes exist for a reason, and it is entirely true that this particular one is not an exception – writers, or any artist really, generally tend to be an overly emotional and dramatic bunch.  And that’s because our very trade depends upon the ebb and flow of drama – good writing involves arcs in which characters experience peaks and troughs, which should generally be triggered by dramatic twists.  A story in which the character is blissful throughout has a limited shelf life.


However, the idea that writing when you’re depressed is any more difficult to writing when you’re abundantly overjoyed is fucking stupid.

Writing is writing; ideas are ideas.  If you’re a good writer, then you write whether you’re happy, sad, depressed, ecstatic, high, drunk, sober, bored, inspired, uninspired or so busy that you have no spare moments to pen a shopping list, let alone a coherent thought.

The energy of your writing; the way you perceive that writing is another matter – but at the end of the day, it’s actually not that critical to whether you’re writing in the first place.

If you think that writing is easier when you’re sad, then that’s because you’re more caught up with the idea of what a writer is than what a writer does.  If you think that you have more inspiration when you’re sad, or that it’s easier to write well when you’re personally depressed because oh no my boyfriend left me!  Or I lost my iPhone!  Or I need to write an article for my blog and I don’t have any ideas!  Then you’re very clearly missing the point.

When asked what he thought the best intellectual training for a would-be writer was, Hemingway said, “Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.”

You write about your experiences, your opinions and here’s-fucking-hoping a quirky idea that leads to some kind of point; good or bad, happy or sad, curvaceous or flat.

If you think that writing when you’re happy is difficult, then you need to pick another trade.